This is one of my photowalk blog posts, short on text and long on photos. Since it was a beautiful, overcast fall day here and we had nothing else planned, I decided to take a walk to the famous Père Lachaise Cemetery while Priscilla relaxed back at the flat. It's just over a one mile walk from our flat, taking you through the 12th & 11th arrondissements and into the 20th, where the cemetery is located.
The fall colors at Père Lachaise were gorgeous. We'd experienced a morning rain shower, so the colors were super saturated. As I walked through the cemetery, it dawned on me that the feeling I had walking around Père Lachaise was much the same as when I walk through the Big Woods of Minnesota. When I'm in the woods I'm keenly aware of the cycle of life, just as I was when walking Père Lachaise. I don't mean this in any kind of a morbid sense. Really it's more of a peaceful feeling.
The parallels between Père Lachaise and the Big Woods carried forward into my photography. In the woods you have to pay close attention to how your image is playing out in the third dimension. The same holds true for photographing at Père Lachaise. The image unfolds as you move from foreground to background.
Père Lachaise is the eternal home to some notable people, including Jim Morrison and Edith Piaf. I managed to find both of their graves. The crowds were light today, so I didn't have to jockey for position to make these photos. There was a small group at Jim Morrison's grave and only a couple folks at Edith Piaf's.
I enjoyed everything about my photowalk today. Priscilla and I plan to go back another day, taking advantage of the Metro to reduce the walking to and from, leaving us plenty of time and energy to walk the huge cemetery.
P.S. As a side benefit of my walk today to Père Lachaise, I happened upon a wonderful looking Kurdish restaurant that is situated on one of the tiny alleyways that Paris is known for. We plan to go check it out some night.
Six years ago I made one of my favorite photos in the Big Woods at Wood-Rill Scientific and Natural Area. The colors and draping of the branches caught my eye. My recollection is that it was a wettish day when I made this photo back in October of 2014.
I've been back to Wood-Rill more times than I can count since that day in early October 2014. I've often tried to find these trees to make a new image, but I'll be darned if I could find them. I traipsed all over the edge of that tamarack bog trying to find them, but I always struck out. That is until this year. Priscilla and I went out to Wood-Rill for a late afternoon hike recently and I had my Olympus OM-2n with me loaded with Ilford HP5+ black & white film, rated at an ISO of 400. As I was rooting around at the edge of the bog, all of a sudden these trees presented themselves right in front of me. I couldn't believe it. Wouldn't you know the one time when I wasn't looking for them at all, there they'd be, right in front of me.
Because I was shooting with a 50mm lens this time rather than the 28mm lens I was using back in 2014, the perspective in these two photos is different, but they are unmistakably the same trees, with pretty much the same composition. I actually think I prefer the perspective in the black & white shot over the color shot. Losing the sky at the top tightens things up a bit in my estimation. Neither of these photos has been cropped. They are as shot. One thing I love about the black & white version is how the tamarack trees in the background seem to light up.
I think now that I've made it back to the same spot a second time, I'll be able to find it again. There are a few scenes out at Wood-Rill that I like making photographs of at different times of the year. I'll be adding these trees to my revisit list.
I suspect some people think I'm a bit crazy, but one of my favorite times to head out into the woods with my camera is when the weather is at its worst. Today we've had rain showers and light thunderstorms rolling through our area all morning, so I decided to head out to Wood-Rill Scientific and Natural Area (SNA) for a photowalk.
When you're out in the woods during a rainstorm, the colors take on this deeply saturated look, but naturally, not through some post-processing gimmick. This is just how the colors look, but most people don't get to experience this because they're not crazy enough to head out into the woods during a storm. The other thing that happens is that where you have openings in the forest canopy, you get this incredibly soft, luscious light pouring in to light up the forest floor.
True, you have to be willing to put your gear through a bit of a test, but the results are worth it. I'm happy to be out in the woods on any old day, but if it's a sunny day, I won't make photographs. The light has to be just right, and today it was.